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　　位于巴西戈亚斯州的卡塔洛小城近来一直干燥少雨，令人躁动。桑德罗在这里的生活也是单调而乏味，除了每天在化肥厂的工作，剩下的时间里要么到城里的酒吧、派对喝几杯，要么和工友踢足球。厂里有一个叫里卡多的工人和他维持着一段炮友关系。然而他似乎总是心不在焉，好像总是神游在外，感到无所适从。这样的生活直到麦孔的到来发生了突变，麦孔的硬朗外形仿佛从芬兰汤姆影片中走出来的人物，而当桑德罗撞见麦孔和里卡多搞在一起的时候，他内心汹涌而来的妒忌之情引发了一系列的事件...（本片获第70届柏林国际电影节泰迪熊奖提名）

　　Beginning with a pivotal encounter between two men in Goiás in the 1980s, director Daniel Nolasco weaves a narrative that spans across time and, perhaps, multiple dimensions, driven by the intense forces of desire and love, as well as the suffocating weight of repression and silence. Nolasco, who was featured in Olhar’s Focus section during the pandemic, continues his distinctive and undefinable journey with a radically queer cinema that refuses to look away from the often paradoxical physical expressions of both desire and violence.